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| Sphere paperback, 1973. Cover artwork by Peter Goodfellow. |
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| Rear cover and synopsis. |
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| Fontana paperback, seventh impression, 1980. Cover illustration by Peter Goodfellow. |
Synopsis:
"Cursed by a terrible disease, Thomas Covenant is an outcast in our world: shunned by his neighbours, pushed by loneliness to the edges of madness. Suddenly he is transported to a mysterious and beautiful new world - the Land - where gentle people work magic with wood and stone, and the very earth and air bring healing. Covenant is welcomed as the reincarnation of a legendary saviour: his maimed hand and white-gold wedding ring mark him as a figure of power and sorcery, with a wild magic powerful against evil. But Covenant does not believe that the Land is real and thus, he becomes the unwilling tool of the enemy who seeks to destroy it: Lord Foul the Despiser. Three times, in their hour of greatest need, the peoples of the Land will summon him to their aid. Three times, as their reluctant leader, he will fail them. Only at the end, as a victorious Lord Foul prepares to devastate the Land and enslave its people forever, will Thomas Covenant call on the wild magic he alone can wield - for a last, epic battle with the forces of evil..."
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| Panther/Granada paperback, 1984. Cover illustration by Peter Goodfellow. |
Back cover fluff:
"From dream worlds to nightmare planets, from the boundaries of madness to the six points of Ursula Le Guin's three dimensional compass, these stories are a mind-shaking reminder of the uniqueness of Le Guin's unsettling visions."
This is a short story collection, and contains the following stories: The Author of the Acacia Seeds, The New Atlantis, Schrodinger's Cat, Two Delays on the Northern Line, SQ, Small Change, The First Report of the Shipwrecked Foreigner to the Kadanh of Derb, The Diary of the Rose, The White Donkey, The Phoenix, Intracom, The Eye Altering, Mazes, The Pathways of Desire, Gwilan's Harp, Malheur County, The Water Is Wide, The Wife's Story, Some Approaches to the Problem of the Shortage of Time and Sur.
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| Illustration by Peter Goodfellow. |
"World War III is raging - or so the millions of people crammed in their underground tanks believe. For fifteen years, subterranean humanity has been fed on daily broadcasts of the never-ending nuclear destruction, sustained by a belief in the all-powerful protector. But up on Earth's surface, a different kind of reality reigns. East and west are at peace. Across the planet, an élite corps of hoaxers live in vast private demesnes - repayment for their services in preserving the great lie. Until one day, a tanker emerges and discovers the path to the most sinister penultimate truth of them all..."
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| Sphere SF paperback. Cover illustration by Peter Goodfellow. |
'I envy anyone who has not read them and is about to!'
-Theodore Sturgeon
"There are fifteen strange and beautiful stories in this collection, spanning the full spectrum of Zelazny's remarkable career. Zelazny is one of the most acclaimed and honoured writers in the science fiction field and these dazzling and memorable stories explain why."
'Zelazny, telling of gods and wizards, uses magical words as if he were himself a wizard'
-Philip José Farmer
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| Cover painting The Power Of Blackness by Paul Lehr. |
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| Painting by Peter Goodfellow, accompanying the article Charts Of The Soul. |
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| Painting by Tony Roberts, from the pictorial From Ruination's Fires. |
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| Painting by Tony Roberts, from the pictorial From Ruination's Fires. |
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| Painting by Tony Roberts, from the pictorial From Ruination's Fires. |
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| Painting by Tony Roberts, from the pictorial From Ruination's Fires. |
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| Puffin paperback, 1977. Cover illustration by Peter Goodfellow. |
"The Duelling Machine was invented to keep peace in the outer galaxies. But in the hands of ambitious and violent men it is misused, and not even its inventor seems able to put things right. Will war envelop the universe? Or will Lieutenant Hector Hector of the Star Watch police succeed in wrestling control from the sinister and ruthless Odal?"
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| Panther SF paperback, 1977. Cover illustration by Peter Goodfellow. |
"SAM NEVER CLAIMED TO BE A GOD. BUT THEN, HE NEVER CLAIMED NOT TO BE...
The time: long after the death of earth. A band of men on a colony planet have gained control of technology. With it, they have given themselves immortality and godlike powers. And they rule their world as the gods of the Hindu pantheon. Kali, goddess of destruction; Yama, lord of death; Krishna, god of lust - all are opposed by he who was Siddartha, and is now Mahasamatman, Binder of Demons, Lord of Light..."